Notlith · Miami
AI video production in Miami: ad films for towers, terraces and two languages
Miami advertising moves between English and Spanish, between Brickell towers and Little Havana storefronts, often within the same campaign. Notlith makes commercials for that market remotely, using the renderings, photos and brand files you already have. We write the concept, create the motion with AI-assisted tools, then edit, grade and mix the film, delivering versions for each language and screen your plan requires.
Remote production · From your photos
Selling a building that is not finished yet
Pre-construction sales have long relied on renderings, and a film can bring them to life: morning light crossing a lobby, a slow push onto a balcony over Biscayne Bay. We animate from the architect's approved images and plans, and we keep everything a buyer might rely on, including floor layouts, finishes and amenities, exactly as specified.
What we refuse is the flattering lie. No invented ocean view from a unit that faces inland, no rooftop pool that is not in the plans, no neighboring towers erased. Each film carries a clear note that the imagery is an artist's rendering, and we leave room on screen for the disclaimers your sales team and counsel require.
One script, two languages, several markets
A Miami spot often needs an English version, a Spanish version written for Caribbean and South American ears rather than translated word for word, and sometimes Portuguese for Brazilian buyers looking at condos from São Paulo. We adapt the script in each language, record native voices and reset on-screen text so line breaks and timing feel natural, not squeezed.
Cultural detail matters as much as words. A fragrance launch aimed at Coral Gables reads differently from one aimed at Wynwood, and the music, pacing and color can shift between versions while the product shots stay identical. That flexibility is one of the real advantages of building a film from assets rather than a single day of footage.
Art Week, swim season and the crowded calendar
December brings Art Basel and its satellite fairs, summer brings swimwear shows, and spring fills the calendar with music and food festivals. Every brand wants to be visible during those weeks, and every crew is booked. Remote production lets you brief us early and launch on time, with cutdowns ready for the social feeds that light up around each event.
We stay careful with art. Wynwood's murals belong to their artists, so we will not reproduce them in generated scenes or pass off a lookalike as the real wall. If your campaign is tied to a fair or show, we work with the materials and permissions your partnership provides, and keep official logos exactly as the organizers supply them.
Delivery, review and an honest limit
You get a master film plus horizontal, vertical and square edits in every language version agreed. Review takes place in set rounds on a shared, time-coded link: script, styleframes, rough cut, final. Ownership and usage of the delivered commercial are described in the quote, which matters for developers whose marketing passes through several brokers and international sales offices.
Some briefs belong to a camera crew. A finished model residence walked through by a real agent, a chef plating live in a Design District restaurant, a hotel with real guests on the sand: those should be filmed. We will say so early and help you decide which parts of a campaign suit a hybrid film.
Fictional concept created with AI
In pictures
Catalog demonstration
See the production approach
English, adaptable to your language
Plan the details
Can you animate our architect's renderings?
Yes, with the rights to use them. We add camera movement, light and atmosphere while keeping the architecture, layouts and finishes exactly as rendered, and we label the result as an artist's impression.
Do you write the Spanish version or just translate it?
We adapt it. A native writer reworks the script for a Miami Spanish-speaking audience, then a native voice records it, and on-screen text is retimed for the new language.
Is AI-generated imagery disclosed?
We recommend a caption or end card noting AI imagery, and real estate films always carry a rendering disclaimer. We also follow each platform's labelling requirements.
What should we send to start?
Renderings or product photos in high resolution, the brand guide, the languages you need, and the placements planned. A list of facts that must appear on screen saves a round later.
Start with your images
To begin, send your renderings or product photos, the languages the Miami campaign needs and the date it must launch.